The artistic language in its evolution tends to investigate the organic vitality of the material in order to exploit its expressive possibilities. The production, always of strict essentiality, is characterized by an insistent working of the surfaces; the use of acrylic is frequent, whose body creates an effect of crushing and transforming the material, and the choice of geometric shapes for the supports, make the canvases a painting that is three-dimensional in installation through its materiality and its architectural support'.